THE DANCE

This is for your own works!!!
Red Poppy
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Re: THE DANCE

Post by Red Poppy »

You asked what I'd edit, well you asked, so in brackets I've put the bits I'd have taken out: :shock:

(Well, I have somewhere to go and some things to do prior, so I'm going to get those done and then return. I know how time flies here, so if there's time left before I leave, I'll write a little more in response. Then, if I run late, I can just get up and rush off.

Before I go, though, )I want to introduce the idea to you that you are the one who is speaking in absolutes, telling me the way things are... the things I'm saying have been qualified any number of ways, with intention.

You took out of context the point I was making about what happens with regard to writers/publishers/editors/readers. When I said that, my point was made immediately following it that this is excellent, if publishing is what the person has in mind. If publishing is not what they have in mind, then publishers/editors/readers [as in book buyers] are a moot point. (My point is that these roles are not factors in every person's life who writes, not even in their desires. Perhaps, I need to put my qualifiers in italics or caps, so you don't miss them.) I'm not sure if you're trying to respond to what I'm saying with a broad brush intentionally, or whether you're really missing what it is that I'm saying.

(I try to make it clear that) I DO understand the distinctions between critiqueing a work and criticizing the writer(... )and (that) the former CAN be done very effectively, without even beginning to do the latter. (Perhaps, )it might be good to remember how and why it is that this entire discourse began.

I've not gone off on any tangents and I would appreciate it if you didn't try to diminish the points I'm making by minimizing them in that way.

(More later...) since you feel I need editing and that you know about that realm, feel free to edit what I've written,( and I'll get an idea of whether you do slantwork with your editing. So far, your understanding has been slanted.)


~ Lizzy

That's my suggestion.

Actually, all writers need to begin not by being edited but by self editing

You do go off on tangents Lizzy, we've heard about your lawn, your neighbour, what you had to do, your computer breaking up - those are tangents that make it more difficult to stick with the original point.
But I have never convinced you that anything you said about anything - from Anjani's lyrics to creative writing - might not be correct, so I don't expect to suceed now! :(

RP
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Re: THE DANCE

Post by jimbo »

;;
Last edited by jimbo on Sun Aug 19, 2007 1:33 pm, edited 1 time in total.
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Alan Alda
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Re: THE DANCE

Post by Alan Alda »

Jimbo~

This thread stopped being about your poem a long time ago. Don't take any of it to heart as to being specific to you and/or your work; it became a generic discussion around page 2... No worries mate.

cheers,
Laurie
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lizzytysh
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Re: THE DANCE

Post by lizzytysh »

Don't bother with the villification efforts, Laurie. I didn't add the word. I've not attempted to plagiarize. Such efforts have no appeal to me. I'm more than happy to give credit where credit is due. I wrote it exactly as I saw it, wherever it was that I did so. It may be that someone else misquoted him/plagiarized him/whatever. In fact, I'm exceedingly detailed when I quote something. The nonsense doesn't relate to my signature. What I was concerned with now was misquoting Wilde, now that I know who said it and to give proper credit.

I momentarily thought that to keep it as I had it, I wouldn't be able to fully credit it to him, as I prefer my quotes to be exact. If they can't be that, to the best of my knowledge or ability, I indicate that accordingly with "[paraphrased]/[loosely paraphrased]" and such. That just happens to be my way. Now, I see that I can remove the qualifier, as I had the wording correct. Haha... to think that I would come amongst such a high literary community and try to pass off something by Oscar Wilde as being "mine"... much less by changing a single word. That's grappling for villification.

Having just gone via your link, I see that you're the one who misquoted Wilde... even knowing who you were quoting. When a quote is of so few words, I would hope that you would apply your high standards to getting it right. My mistake was one of ignorance as to authorship, but at least I got the quote right.


~ Lizzy
Last edited by lizzytysh on Sun Aug 19, 2007 5:20 am, edited 2 times in total.
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lizzytysh
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Re: THE DANCE

Post by lizzytysh »

In fact, Jimbo, to quote someone here "Sad sad sad"... You're right that people come here from all over the world, with widely varying educations and abilities in English... even those who had the apparent misfortune of being drawn to Leonard as much for the heart and the soul as for his writing expertise... still, many of those and others, who may not be as adept at putting their thoughts, feelings, and experiences into words, have still enjoyed the satisfaction of capturing word pictures and sharing them with us in this particular section. Kind of like those get-togethers [in public places ~ a crucial point] where people play instruments and sing and those who don't sound like recording artists or classically-trained musicians and singers are actually unconditionally welcome. Come as you are. Don't worry about being judged. We really do want to hear your voice and want you to be part of the group. It's an old-fashioned notion. Quite out of style.

Everybody knows that everyone who sings wants to be a Singer... and to get a recording contract and agent and to sell records; and that their goal, if it isn't, should be, to measure themselves, and be measured against, Caruso and Callas, Cohen and Dylan and Springsteen and Brel, Mitchell and McKennitt... and to be instructed accordingly, if they join the group with only their humble offerings. If not, go somewhere else and sing because that's what our get-togethers are about. We're the Leonard Cohen group, you know.

Everyone will now understand the wisdom and importance of the maxim that "If you can't run with the big dogs, stay on the porch" [and sorry to be unable to properly account the authorship of that :( ]. So, I hope they'll at least enjoy reading from afar and appreciating the expertise of those qualified to contribute here. As Leonard once wrote, "Sorry for smudging the air with my song"... well, it was a bit too idealistic to think that others, beyond those ready and willing to be measured against Yeats, Shakespeare, and the rest might feel comfortable in sharing their own, meager and heartfelt writings. As Leonard also once wrote, "Please don't pass me by."

Absolutely, Red Poppy. For heaven's sake, get all that personal stuff of mine out of this "Member's Poetry" section, which some people never come to read... and by all means, make a quick trip to the News section, where some visit only for news of Leonard, and catch up on all of your own very personal editorial comments and banter for all who read there. Whatever you do, don't edit out a single, crucial word of it. It is news, you know.

I hope you plan to stick around to do your duty for the Writers here wanting your direction.

As for poetry, there's something in me that has to believe that someone contributing to this section might be interested in knowing something beyond the perfection of their metaphors, their iambic pentameters, their line breaks, the length of their poems... and know that, on a personal level, something they wrote touched someone's heart.


~ Lizzy
Last edited by lizzytysh on Sun Aug 19, 2007 6:04 am, edited 2 times in total.
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
Alan Alda
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Re: THE DANCE

Post by Alan Alda »

Oh Liz, I have a typo (of omission) and that makes your months of non-citing the source of your quote okay. Of course.
BTW, there is this really handy device, not too many people know about, it's called: google. It is simple. You type what you are looking for into the search box and voila, up comes stuff, like who actually wrote the quote think you thought you might have heard somewhere and called your own.

I simply brought up the fact that you did not cite the author. You turned it into a petty typo/excuse ridden event.

As you was..........

("I prefer my quotes to be exact...") Priceless.
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Re: THE DANCE

Post by lizzytysh »

Laurie ~

Thank you for bringing me so up to date. I was astonished to learn of this heretofore-unheard-of thing called Google. In fact, try Googling the dogs on the porch and you'll find various versions... whoops, I guess I shouldn't have let that cat out of the bag... that I actually was aware of Google before you came along and informed me. There were no typos... it was a clear and blatant omission in a very-few-words quote, by someone who is adept at/compulsive about focusing on the minutiae of others' writings. Imagine if that were someone's poem for a minute. In fact, my intuition had its rhythm being more pleasing than your misquote of it. How could you not have immediately recognized your literary error? You really ought to hold yourself to the same high and unwavering standards of excellence that you hold others.

No excuses on my part, either. Simply human error and apparently not knowing who it was... just a simple matter called truth.


~ Lizzy
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
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Re: THE DANCE

Post by Alan Alda »

Ya got me liz. Even though my link had the proper quotation embedded in it, I was not paying close attention and omitted a word and THAT is what is important, not your dragging around a quote as if your own or incentive to take ten seconds to google it to give credit where credit is due.

It would be redundant of me to mention you are being extremely petty. So i wont.

L
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Re: THE DANCE

Post by lizzytysh »

Oh, thank heaven you have no desire for redundancy, given that I initially thanked you for bringing this to my attention so I could correct the oversight and did so... and you have continued to hammer away at it with varying forms of implied wrongdoing and incrimination... whoa. More than a bit naive [or feigned] on your part to actually believe that I would try such a ruse as to credit myself with something the world-famous playwright Oscar Wilde wrote.

Since we're sharing tips, allow me to point you to one known as copy-and-paste, so when you find imbedded quotes, you'll be able to transport them correctly... and proofreading, as I understand it, is also part-and-parcel of being a Writer and Poet, is it not? Petty is as petty does and you have continued to return to this issue numerous times beyond what was initially necessary, which was to simply bring it to my attention. There was a situation not so long ago where you similarly attempted to nail someone to the wall for not including the whole of a poem... as though they were somehow being devious. There's something in you that enjoys doing this kind of thing.

You can think or purport whatever you like, and continue to try to make this plagiaristic thing 'go,' but my history of crediting/quoting people appropriately speaks for itself.

Since this whole exchange with you is "priceless" and I'm fresh out of pennies, I'm concluding my part in it. Enjoy.

Suggestion: Put me on your Foes list.


~ Lizzy
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
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Re: THE DANCE

Post by Alan Alda »

Liz~ You can ask Byron (privately) about WHY I said what I did regarding the partially quoted poem.
If I told you, you wouldn't believe me.

You really are a piece of work.

Laurie
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Re: THE DANCE

Post by lizzytysh »

You really are a piece of work.

Laurie
No... really... I insist, Laurie. You really are the piece of work.

If I should ask Byron (privately) as to why you concerned yourself with that poem [which I won't be doing], my question to you would be why didn't you ask the one who posted it [I believe it was Jimbo? Maybe, Vilmos... but I think Jimbo] privately, as to why they didn't include the whole of it. Sorting it privately with the original poster would have been considerate. That would be the more important matter and something I would care about, and be interested in hearing about privately.


~ Lizzy

[As for my own, now-proper citing of that great quote... I much prefer the way it appears now, as opposed to the interim, when I took your error in quoting to be fact and had to deal with the cumbersome, "Based on a quote by Oscar Wilde." I'm very glad he actually said it the way I had it written, so now all I need is his name 8) .]
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
Red Poppy
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Re: THE DANCE

Post by Red Poppy »

You can't have your cake and eat it, Lizzy.
YOU asked me to suggests edits in your post, I didn't offer - and I didn't charge! :lol:
So let's not pretend that was my idea, it was yours.

Your music reference to people comparing themselves to the greats is intended, I presume, to be ironic. The fact is that people should strive to be the best. Those who believe in a hereafter strive to get there, to rub shoulders with their God, should they "stay on the porch" instead and be mealy-mouthed in their praise but never aspire to equality?

"We really do want to hear your voice and want you to be part of the group. It's an old-fashioned notion. Quite out of style."
Absolutely - WE do - not just you Lizzy, all of us. And because we seek to offer opinions contrary to yours doesn't mean we are lesser people or harsher people or troublemakers.
Apparent "niceness" guarantees nothing about a person.

You quote Leonard's line: "Sorry for smudging the air with my song." I believe he was being ironic and, if he had followed your advice, he'd have given up. He didn't!

You say: "I hope you plan to stick around to do your duty for the Writers here wanting your direction."
I don't see it as a duty. In that regard, YOU seem to be the one who sees it as her duty to comment on everything, so get off the high moral ground before someone is tempted to take a pot-shot at you.

I have NEVER mentioned "metaphors, their iambic pentameters, their line breaks" but I have mentioned the passion in people's writing

JIMBO,
you keep writing and, hopefuly, people will keep responding.
As Alan says, this discussion is not about your work.
One thing I would say - don't keep putting yourself and your work down.
Yeats couldn't spell for nuts (well he probably could spell "for nuts" but apparently he was dyslexic, as well as having fascist leanings).
Hey maybe that's why some people like him so much - because of the fascism, I mean!!! :shock:
Diane

Re: THE DANCE

Post by Diane »

RP, I don't think you meant the statement, "he was dyslexic as well as fascist" to infer that dyslexia is a negative trait, but there remains a prevailing belief that dyslexia somehow diminishes a person. Take this reaction from Dylan Thomas' sister, and The Dylan Thomas Society in Swansea, when last year it was claimed Thomas may have been dyslexic:
A ROW has broken out after the reputation of Welsh literary genius Dylan Thomas was called into question.
Controversial research to be presented in Oxford next month will claim that Dylan suffered from dyslexia and that it was this condition which imbued his poetry with its potency.
It is a bizarre accusation aimed at one of the world's literary giants - after all "dyslexia", from the Greek language, means "difficulty with words".
Dyslexia is a combination of difficulties that can affect the learning process in reading, spelling and writing
Dylan's daughter Aeronwy is understood to be furious at the claims that the condition was the reason for much of his outstanding work.
But the research, by PhD student Alexandra Davies, from Hull University, suggests the bard's unusual use of language, peculiar imagery and reputed concentration problems are the result of the learning condition.
Childlike writing and Dylan's fondness for spelling words backwards are being interpreted by Ms Davies as signs of his difficulty in handling language - said to be a classic characteristic of dyslexia.
But the findings have outraged the Dylan Thomas Society, which has rounded on what it says are flaws in the piece of research. And it said Aeronwy regretted her involvement with the report.
Cecily Hughes, chair of the Dylan Thomas Society, based in Dylan's home town city of Swansea, said yesterday, "There are lots of letters in his own handwriting which have no evidence that he was dyslexic. None at all.
"My first reaction was that I didn't want to dignify this debate by entering into it at all. But it is annoying. Aeronwy is wishing she just said 'no comment', but she's so nice, she always wants to help people.
"This research was asking questions of Aeronwy about Dylan, but she was only 10 when he passed away."
Ms Davies hypothesises that Dylan's dyslexia enabledhim to write such lines as Under Milk Wood's "the hunched, courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea".
Meanwhile the setting of the play Llareggub is a well-known phrase spelt backwards - another indication, according to Ms Davies, of his dyslexia.
She said, "I thought he could be dyslexic when I looked at examples of his handwriting at Laugharne. It's neat, but it's very childlike."
Her findings are being presented at the Michael Donaghy poetry conference in Oxford next month.
And the British Dyslexia Association has given the thumbs-up to her research.
Spokeswoman Carol Youngs said, "According to the research, he did seem to have a lot of characteristics associated with dyslexia.
"He seemed to have a head full of lots of ideas at once, and dyslexic people are often very good in the field of creative arts, so it's quite credible.
"This research is good in that it highlights the fact that the condition is about different thinking, not disability.
"Dylan Thomas would probably have just done a lot of swearing when he got frustrated with words, rather than realise what it was."
Other writers thought to be dyslexic include WB Yeats and F Scott Fitzgerald, while modern poet Benjamin Zephaniah also has the condition.
Ms Davies said she read drafts of Dylan's work showing strange writing methods, such as writing an entire poem out again if an alteration had to be made.
Dylan himself once said this was a way to "keep the poem together".
Aeronwy dismissed this by saying, "His working methods were unique but only, I think, because he was working without a computer."
August 31 2006, Sam Burson, Western Mail
Leonard's great inspiration, F G Lorca, might also have been dyslexic:

http://links.jstor.org/sici?sici=0026-7 ... 0.CO%3B2-9
Abstract
This article proposes that Federico Garcia Lorca is likely to have suffered from a relatively mild form of dyslexia, using documentation from his biography and autograph manuscripts. A parallel study of William Butler Yeats, whose dyslexia is well attested, provides corroboration and highlights many similarities in their experiences and difficulties. Dyslexia may also have had a repercussion on their literary output: relevant studies of Yeats focus on orality, folklore and visual imagery; similar features are found in Lorca's work, as well as mirror imagery and reciprocal metaphors, where the transposition of tenor and vehicle recalls the phenomenon of metathesis that is a frequent indicator of dyslexia.
Other famous known or suspected dyslexics are Einstein (possibly the most intelligent man who ever lived, but he flunked out of school), Edison, Galileo, Carl Jung, Beethoven, Mozart, Nigel Kennedy, Picasso, Michaelangelo, Leonardo Da Vinci, Rodin, Van Gogh, John Lennon and Ansel Adams. Also, many high-achieving sportspeople.

The problem dyslexics have with reading and writing is because the dyslexic thinking style is visual and holistic, rather than sequential, and reading and writing is clearly a sequential process.

I am not suggesting that poets or writers should be excused for presenting their finished work with incorrect spelling, but that poor ability with spelling or sentence construction doesn't equal low intelligence or sloppiness; sometimes it is a characteristic of people with an exceptional level of creative potential or output.
Red Poppy
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Re: THE DANCE

Post by Red Poppy »

Sorry if my point came across otherwise, Diane.
I'm on your side - the fascist bit was a lighthearted reference to a discussion we've been having elsewhere

The thing I was trying to say is that dyslexia (or a range of other linguistic trip-up points) in no way undermines a person's imagination, ability or right to self-expression - nor should it be allowed to.

In my time as a secondary teacher, I had two students in six years who stood out head and shoulders above the other hundreds in terms of literary and theatrical ability. Both were dyslexic, each has gone on to great success in his chosen field - one as a wrtiter, one as an actor.
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lizzytysh
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Re: THE DANCE

Post by lizzytysh »

Hi Red Poppy ~
. . . before someone is tempted to take a pot-shot at you.
Please work on your powers of observation in this section, including with what you have written.
Apparent "niceness" guarantees nothing about a person.
Not sure what you mean by that, though I have specific ideas. "... to say the least" is my only 'add-on'-style response to it, however. The Hansel-and-Gretel method is interesting, though disappointing. It takes a lot to make up a person, doesn't it?

Yes... I did invite the editing. However, compared to the content of what I was presenting, my personal comments were few and quite unintrusive in the scheme of things. I guess I should have been more specific or, better yet, questioned specifically as to what 'portions' you were referring prior to requesting your pro bono editing services. I made the mistake of thinking you meant our actual discussion, not the several paragraphs, composing nearly the whole of one, relatively shorter, posting. Seeing you go for the personal comments, however, I was inclined to suggest that since you obviously felt that this shadow request that I self-edit was merited with those areas, that in that sense you ought to self-edit yourself, as well. I'm not pretending, at all, that it wasn't my idea... however, since the topic is SELF-EDIT, introduced by you, it seemed a rather appropriate time to point you in the direction of your SELF. So, enough on that.

I've been looking high and low this morning for the book from which I quoted the section, so I can quote the other; as the next... or very nearly next... one relates specifically to the issue at hand, and in a manner which I feel you will find pleasing. The bottom line is that I feel the things you're saying about working on one's poems have a lot of merit. It's only a matter of venue, intention, and agreement. There are/have been people here who have full time jobs which they find very satisfying, even jobs they've attended school to attain. I recall a woman veterinarian from Germany who practices homeopathic medicine and who some time ago brought very sweet offerings here. I miss reading those. I never once presumed that she hopes to be published one day, nor that her poetry ought to be approached from that perspective. I have a permanent, very pleasant memory of a bright red cardinal perched on a snow-laden branch, a visual I embraced from a 'haiku' written by a lovely woman, I believe Greta, several years ago. I find it very presumptuous on your part to presume that, that huge cookie-cutter box is one for everyone to be stuffed into. Maybe we should all ALWAYS strive to be our BEST; yet, there are times where one wants simply to relax and to just be... and having this STRIVING imposed upon them serves pretty much to gouge the relaxation and kill the pleasure and the healing of the moment.

I don't consider myself nor my comments mealy-mouthed, at all, Red Poppy... and, unless I'm reading something into what you've said that, somehow, relates to the only one here defending the position I've taken on this [this is not an implicit complaint, as I'm very used to this position... yet, it does serve as a highway marker as to whom you are likely referring in this], I feel it's insulting and inappropriate. Another pot-shot. One of the things of this whole discussion that bothers me is the air of condescension.

Poetry is written for many reasons. If you teach it, I'm surprized that you're not willing to give creedence to the other reasons; and exclusive to them, proclaim that every one who writes poetry really only wants to be Published and that all energy should be expended with that in mind only. When people sign up and pay for a class... the instructor can be as tough as they want... you're probably valued more highly for that AS an instructor. "He's tough, but you sure do learn a lot. It's worth all the aggravation." Here, however, you seem to have self-ordained yourself as a poetry coach, the same as an exercise coach, or an Olympic event coach might be.

Some poetry has been published only since being discovered, after the person's death. Some poetry is written so as to congeal one's thoughts and feelings after a traumatic event, to pay homage, or sometimes to find an outlet so as to survive... and these are very legitimate uses of poetry. They don't need to be passed beneath the microscope of someone seeking, for 'that person's own good,' to push them into being "the BEST they can be." Maybe they're not prepared to measure up to your watermark. Maybe they never will be. Maybe they oughtn't even try to be... maybe they only ought to try to live up to their own goals and aspirations. Nope. However, simply receiving some feedback that confirms they're not alone can be enough.

Contrary to what you keep trying to establish as fact, I do not see this only one way, "my way." From what I'm getting from you, you seem to want to hear those voices, but not if they're not willing to let you destroy and reconstruct what they've written, in their own best interests, of course. If they're not willing to undergo that, then they might as well stay on the porch... and I'm guessing I ought to, as well, since you appear to deem my responses to people as only mealy-mouthed and, therefore, lacking in merit.
You quote Leonard's line: "Sorry for smudging the air with my song." I believe he was being ironic and, if he had followed your advice, he'd have given up. He didn't!
This conclusion doesn't follow with anything I've said. Leonard had goals of being a poet, writer, and then a songwriter. He's worked extremely hard in that. His extremely hard work paid off. He also willingly engaged in a group who had similar aspirations and their 'bylaws' seemed to include verbal brutality with regard to each others' writing. An agreement. Not everyone has the goal of being a poet, writer, or songwriter. Some simply want to be who they are, where they are, and doing what they're doing and/or working toward... which do or don't [and for this, I'm referring to the "don't"] include becoming a published poet. Yet, it's an arena where they want to try their hand... they enjoy reading it, and they want to try to do it themselves; to express things poetically and share what's expressed with some other people, who also enjoy reading and, maybe writing, poetry. They are two, fairly distinct groups.

If you'll read the thread I initiated regarding this issue, you'll see that I suggested that people might make it known when they want corrective feedback on what they've written. Some do. Some don't. It's that simple. Some whom you might think would, don't... and that can be deduced when you see their reactions to what has been "freely given" and unsolicited. Context is all I'm suggesting. Somewhere back there in this thread, you suggested that people need to listen to what's being said about what they've written. My suggestion/request is that you might consider it just as valid to 'listen' to what's behind the writing of some of the contributions here.

Yes, you've noted the passion in some writing, and that's good. I would love to see threads here where, undefensively, people willingly actively engage in this process of critiqueing and editing and all the rest that comes with constructive criticism. Within that, I feel that consideration and respect need to be part of that process. I also feel that everyone who comes here and shares ought not be painted with that same brush... that they didn't really come to a site, where the man about whom it was created is known for his astonishing and phenomenal ability to touch the hearts and souls of people, and for his own remarkable kindness. Rather than just the letter of the law, keep in mind the spirit of the law.


~ Lizzy
Last edited by lizzytysh on Tue Aug 21, 2007 12:39 pm, edited 3 times in total.
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~ Oscar Wilde
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