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Posted: Sat Dec 02, 2006 12:00 am
by lazariuk
Tom Sakic wrote:Thank you, Jack. It seems so clear now:-) I always perceived this song as love prayer, with clear plea on its end. ("Oh please let me come into the [your] storm.") But as we know, a man never got the woman, not by begging on his knees.

Hi Tom
Your post got me to thinking about the eskimo which is still a mystery to me. I am thinking about it and wouldn't mind telling you the considerations that are directing my thinking and seeing what you have to say about it.
When I posted my thoughts about the saint who I thought was Hillel I mentioned the words of Jesus specifically to draw the connection between one who loved God and the "Golden Rule". The words of Jesus made the connection.
The reason I was very detailed in relating the exact way that He stated the commandments was for another reason. The reason being that it seems to me that it is not generally known. I say that with a bit of experience. For the last seven years I have been conducting a little experiment to satisfy my curiousity and the experiment is that I ask people who are either professing Christians or professing that they know about Jesus a simple question. The question is as follows:
Jesus said that the requirements of all of the law and prophets are fulfilled by following two commandmets - what are they?
I ask a lot of people including church ministers. My son goes to a very thrieving evangelical church and I sometimes also go. One time I suggested that he watch something that I felt he might find interesting and after the church service I went with him and asked the minister my question and the minister did not answer correctly. Some come close but where almost nearly 100% fall short is in relating that one should love God in the fourfold way "with all of you heart, with all of your soul , with all of your mind and with all of your might"
Try the experiment yourself and you will see what I mean.
Why this is curious to me is the fact that it is mentioned in all of the Gospels and it is not a lot to remember - only two commanments. Over the years I couldn't help but wonder about this while at the same time I noticed that aboriginal people seemed to have aquired this teaching in a very intimate way with the medicine wheel being divided in the very four areas that Jesus pointed to.
This led me to thinking that the oral traditions were in many ways accomplishing more that the written traditions.
So in my mind when Leonard is singing about the saint Hillel he is referring to the written traditions and when singing about the eskimo he is referring to the oral traditions.
Now I am asking myself the question "Why eskimo?" why not Indian?
When Leonard writes " he recently taken of you" the word recently seems to confirm in my mind the distinction of the oral over the written, sound as opposed to sight - sound travelling slower and so being a more recent contact.
I don't know a lot about the belief system of the eskimos but a couple of things I know might be relevant to Leonard's words.
Most religions have a distinction between the upper and lower regions with the upper signifing heaven while the lower signifing hell often with hell being associated with fire and heat. In the Eskimo beliefs the distinction is between the upper and the under with the latter being the preferred state because of the heat. Another part of the belief system of eskimos is that direct contact with a supernatural being will lead to one being frightened to death (freeze with fear)
I will continue thinking about this while being very interested in what others have to say.
Jack
Posted: Sat Dec 02, 2006 8:19 pm
by lizzytysh
Hi Jack ~
Thank you very much for these explorations. This song has always been very significant for me.
That said, the 'inversion' in its title has always been a bit of a conundrum for me. Probably the closest I've come with it is considering it in terms of the difficulty of 'relationship' to begin with, and so much moreso if one is arrogant in the area of acknowledging their own capacity for being wrong. I've always considered the song to relate to human love, whether a prayer or a lament or a plea. I really like the idea of this title being a direct reference to G~d.
Your seven-year experiment with the two commandments, and the written vs. oral traditions... these bring so many possibilities to the song.
The Eskimo verse has always been a mystery to me. An Eskimo with a movie camera? Why an Eskimo? How her being 'there'? Why the Eskimo showing it to the singer? Many questions surrounding it... yet, ultimately, I saw it signifying her protection of her heart with many layers of ice, sufficient to summon the image of Eskimo. What you've done with this, regarding the Eskimos themselves with religion, and aboriginal people and the medicine wheel take it all places I'd never have dreamed of going... and give the verses a context that make a wholly different kind of sense, and I really like it.
Thanks for sharing all this. I look forward to reading more.
~ Lizzy
Posted: Sun Dec 03, 2006 6:29 am
by lazariuk
lizzytysh wrote:
give the verses a context that make a wholly different kind of sense, and I really like it.
~ Lizzy
Those are so very encouraging words Lizzy. In Leonard's song the eskimo is spoken of as a "he" and further as "the poor man" yet in your above post you speak of the eskimo as being a woman. This made me my thoughts go in a very completely differnet direction and made me remember a movie that moved me very much. I was moved because it was touching on something that I was noticing about certain women. The movie was called ** The Ballad of the Sad Cafe.** It was first a book by Carson McCullers , the one who wrote "The Heart is a Lonely Hunter" it was lated adapted to the stage by Edward Albee and the movie version is with Vanessa Redgrave and Keith Carridine.
In the story a man marries a woman and then it seems that the woman,s heart turns to ice and she throws out her husband. He is completely mystified and is deeply in love with her but does not seem to have any way to get close to her again. He is speaking to his parish priest ,(played by Rod Stieger) and the priests says something to him that I found rather interesting. He says " ..most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being loved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain."
The husband remains. It does bring on a mighty storm.
Jack
Posted: Tue Dec 05, 2006 6:13 am
by thequeenisdead
I always thought the logical explanation was that it's about a heartless, "man-eating" woman, but you all have certainly made me give it another look.
After hearing your ideas and reading through the lyrics again, I've formulated a new idea. It sounds to me like a man's (or simply mankind’s) struggle to know, understand, and put his faith in G-d.
The first verse talks about the narrator's growing frustration with the idea of G-d. This frustration causes him to act negatively. He tries to make G-d jealous of him, as ridiculous as that may seem. It sounds like a desperate attempt to attract His attention, to be hit by that proverbial lightning bolt that leads to an undeniable certainty in His existence. The narrator’s attempts bear no results and he throws his frustrations at G-d.
The “dress that you wore for the world to look through” is G-d’s very existence. The narrator struggles with the intangibility of a supreme being: G-d cannot be seen, and His invisible existence that blankets the world seems to the narrator to be a joke that he isn’t “in” on.
Yeah?
The next three stanzas seem to represent the struggle of others to know G-d. The doctor, the saint, and the Eskimo can all be seen as different religious sects. For argument’s sake, organized religion is a very confused, and ultimately flawed affair. Even those who seem to know G-d best (i.e. holy men) are often just as uncertain of, and troubled by His existence as the rest of us. The narrator tries his hand at several religions, but is downtrodden when he discovers the unanswered questions that still exist and all of the corrupted religious doctrines and institutions. He discovers that all men are indeed as confused and troubled by the question of G-d as he is.
As hard as he may try, when any man attempts to really understand G-d, he ends up locking himself in a library shelf, drowning himself in a pool, or freezing—basically, going crazy from seeking knowledge that can never truly be obtained.
And yet the narrator seems to be swept up by this “blizzard of ice,” and wants to be a part of it too. We all know how comforting religion can be.
On to the title:
One of us--the narrator, the doctor, the saint, the Eskimo; Judaism, Catholicism, Buddhism, etc—has to be correct in our beliefs, it seems to be saying. One of “us” must have the answer to all of this, or so it seems.
Phew.
Thank you all for making me think.
Comments?
Ray
Posted: Tue Dec 05, 2006 10:07 am
by mat james
Good stuff Ray. It makes sense to me.
Mat J.
Posted: Tue Dec 05, 2006 4:39 pm
by lazariuk
thequeenisdead wrote:On to the title:
One of us--the narrator, the doctor, the saint, the Eskimo; Judaism, Catholicism, Buddhism, etc—has to be correct in our beliefs, it seems to be saying. One of “us” must have the answer to all of this, or so it seems.
Ray
Then he probably would have titled it " One of us must be right"
Or you can go on further to think that the One he is referring to is all of them working together as a One i.e. by being open to all of the points of view you can find what is that cannot be wrong. I think to this Leonard would offer "You can add the parts - you won't have the sum" There will always be a view that is left out.
Jack
Posted: Tue Dec 05, 2006 11:24 pm
by Byron
I heard something which stopped me in my tracks recently. It was on the radio.
I can't recall who was involved in the discussion. The subject matter was existence and philosophy.
They had touched on Plato, Aristotle, the Saints; Anselm and Thomas Aquinas, Descartes, Locke and others.
One short phrase hit me between the eyes (or is that ears?) anyway.......
"There's no such thing as one."
In the context of the discussion, it was a seminal revelation. The moment you read the word "one," it creates an additional facsimile to it, in your mind. "One" does not exist on its own. It is the subject of something or someone else. If there was only "one" in existence, there would be nothing else at all. "One" needs the existence of acknowledgement, or it doesn't exist. That recognition creates the 'twin.' One in reality and one in the mind.
If man did not exist, the concept of numerical recognition would not exist.
Posted: Wed Dec 06, 2006 12:11 am
by lizzytysh
Oh, drat, Jack... to be able to take credit for this, when in reality I erroneously inspired your thinking in a new direction with this song [oh, well... maybe next time

]. I really hadn't thought of the Eskimo as being a woman, but rather a man.
I'll do a recap here, so you don't need to scroll back and forth [E-Exercise

], and so I can more easily explain, too [via brackets and bolding].
The Eskimo verse has always been a mystery to me. An Eskimo with a movie camera? Why an Eskimo? How her [the woman in the song being where the Eskimos are] being 'there'? Why the Eskimo showing it to the singer? Many questions surrounding it... yet, ultimately, I saw it signifying her protection of her heart with many layers of ice sufficient to summon the image of Eskimo [the Eskimo taking a picture of her, for me metaphorically signified that she didn't wear the protective garb of the north, as her heart and her soul were sufficiently frozen already, as to cause even the Eskimo to shiver and his fingers to turn blue ~ garb to 'protect' one from the cold would have been redundant or superfluous... for she is the cold ~ interestingly, or not, I've actually always imagined her as being nude, with the snow and the wind whipping about her, sometimes nearly veiling her out completely, as she stood tall, stoic, and even serene, with an erotic element and his shivers the same] . What you've done with this, regarding the Eskimos themselves with religion, and aboriginal people and the medicine wheel take it all places I'd never have dreamed of going... and give the verses a context that make a wholly different kind of sense, and I really like it.
Even so, really intriguing and in many ways true what you've said about loving and being loved. Don't really have any kind of time to explore any of that whole area beyond that simple acknowledgement. I like where you went with your misinterpretation of what I'd said. Got to the 'right place' via the 'wrong route'

[or something like that

]. Thanks for expounding as you did.
I really appreciate reading all the interpretations. I bonded with these songs before I knew anything of ecstatic poetry or Leonard's spiritual/religious explorations. So, as I listened and didn't do the dishes, I meandered down narrow hallways, with tiny and terribly lovely windows and highly unique doors.
I've heard of the second book, but not the first. Both sound excellent.
~ Lizzy
Posted: Wed Dec 06, 2006 12:36 am
by lazariuk
Byron wrote:
One short phrase hit me between the eyes (or is that ears?) anyway.......
"There's no such thing as one."
.
You might enjoy this poem by Buckminster Fuller.
At Minimun Two
Synergy is
the complex behavior
of whole systems
unpredicted by
the isolated observation
and consideration
of only one or more
parts of the system.
Love is the synergy
of omnipermeative
and inherently differentiating
metaphysical radiation
nonsynchronously coexisting
with omniembracing
and systemically integrating,
eternally conserving,
metaphysical gravity.
Metaphysical radiation
and metaphysical gravity
eternally and only
coexist.
The always and only coexistent
positive and negative mathematics
demonstrate scientifically
that unity is plural
and at minimun two.
In its inherent cell dichotomy,
biology demonstrates
that unity is plural
and at minimun two.
Science demonstrates
that unity is plural and at minimun two
with it's life-initiating
awareness of otherness.
No otherness, no awareness.
No Life.
Life is inherently two.
Science again demonstrates
that unity is plural
and at minimun two
by requiring
both an insideness and outsideness
of both
the observed and the observer.
Science again demonstrates that unity
is at minimun two
in the concomitant,
always and only coexisting
convexity and concavity.
Science demonstrates
that convexity diffuses
and concavity concentrates
the same impinging radiation
wherefore the always and only
coexisting concavity and convexity
demonstrate that they are not
the same function
wherefore unity is plural
and at minimun two.
The eternally convergent-divergent
dissynchronous juxtapositioning
of inherently dissipative radiation
and inherently conserving gravity
pulsatively and resonatively propagate
the infinite variety
of wavelenghts and frequencies
of nonsimultaneous, differently enduring,
only overlapping episoded,
only locally aborning and dying
and only sumtotally
eternally regenerative
scenario Universe.
Appreciation of the integrity
of eternally regenerative, scenario Universe
is sometimes called "Wisdom."
Employment of
the only metaphysically experienced,
eternally regenerative scenario Universe
is sometimes identified as "Love."
Unity of Universe is always plural
and in its minimun twofoldness
as both Wisdom and Love,
these two synergize
to constitute the phenomenon
we intuitively identify
as God.
This is probably as close
as we may ever come
to such human-thought identifying.
Posted: Wed Dec 06, 2006 2:26 am
by Byron
lazariuk....which leads us into Prime Mover and causality.
One cannot function without the other. Duality is the essential synergetic building block of everything.
Posted: Wed Dec 06, 2006 6:56 am
by Steven
Jazz4111,
Interesting about the mosquito coils: there is a song on the recently
released "Blue Alert" CD that contains a reference to a candle(s?)
and mosquito netting. Got to wonder if the presence of both in
a room prompted a line of creative thought with him; thought of
this in the context of your post. Prior to your speaking of the
mosquito coil, I only thought of the green candles in the song as
probably referring to the kind of item that might be found in an
occult/new age shop.
I also was sorry to hear that Allison Steele passed away. The
station was, I think, the first commercial FM station to play
rock. They played a wide range of stuff, the extent of which
can only be found on some broadcast college/public radio stations
today. They had some great DJs, not the least of which was
Allison Steele. Glad that you were also listening and to have
had this opportunity to share the memory with you.
Posted: Wed Dec 06, 2006 10:25 am
by mat james
Duality is the essential synergetic building block of everything.
....in space/time.
and the next reflection is:....?
the math/phisics people and the philosophers don't talk so much about "one";
rather they use the term "unity".
Trinity seems to be a "unity" concept too.
These things are about perspectives, in space/time
and "elswhere" (for want of a better term).
Re: One Of Us Cannot Be Wrong
Posted: Wed Dec 06, 2006 7:00 pm
by Simon
...
the poor man could hardly stop shivering,
his lips and his fingers were blue.
I suppose that he froze when the wind took your clothes
and I guess he just never got warm.
But you stand there so nice, in your blizzard of ice,
oh please let me come into the storm.
Anytime I stumble on words like
frost, blizzard, cold, shivering, etc. in LC's work, I cannot help but think of King David's death and the story of Abishag the Shunammite. It is clear to me that David is a central figure in LC's personal Pantheon. Compare the above with the following:
"Now King David was striken with frost in his body, to his very bones. It was the month of zif, when to everyone else the heat seemed unbearable. He could get no sleep; he became more and more like a solitary bird on a rooftop.
They covered him over with layer upon layer of sheepskins, skins that had been displayed before the face of the Lord, and yet still he shook and shivered incessantly from cold.
And wine, wine which had in Mephiboshet produced an over-abundance of warmth and sleep, he could not swallow – it merely trickled out from the corner of his mouth.
And Bathsheba said: ‘Woman is the warmest of all God’s creatures. Let us find him a woman who is in her warmest years.’
For she knew: both kings and gods had been awakened to renewed life, had even arisen from the dead in the shimmering heat exuded by youth.
It was Abishag from Shunem they found. Solomon found her. He called her the Shunammite after the city where he found her. It was said of her that withered trees she touched bor fruit within ten days, and that infertile asses became pregnant at ounce if she slapped their hind quarters. It was for these reasons that Solomon asked to see her. Babylonian merchants thought her real name was Ishtar. She had once been taken out into the desert and red-blossomed oleanders had grown up in her footprints.
When Solomon saw her, he realized at once that she was the one who could cure the King. If the frost in his body could withstand Abishag the Shunammite, then it was incurable. The sun had burned her dark brown: she had once been the guardian of a vineyard. Her teeth resembled a flock of newly-washed ewes, her hair was long and gleaming black, and her breasts were firm and pointed.
And Abishag from Shunem went to the King’s bed. She crept in beneath the pile of sheepskins, and those who stood nearest said they heard her whisper Tamar’s name. When her fingers brushed against a fig cake that had been laid on one of the festering sores on the King’s neck, there sprang forth from the cake a fig branch with magnificent leaves.
She remained there for twenty-eigth days, the length of time she was clean.
But not once did he have carnal knowledge of her. No , when he felt her with his withered hands he could not even distinguish the parts of her body one from another. He no longer knew for sure what was breast and stomach and pudenda, and he no longer remembered how the various parts of the body were to be used – the frost had turned his fingers blinds.
And when Abishag the Shunammite rose from the bed on the twenty-eighth day, King David had still not ceased shaking with cold. But the skin on the side of Abishag’s body that had lain against the King had become wrinkeld and dried up.
Then Bathsheba commanded them all to leave the King’s room. And she took off her cloak and slipped into his bed.
Quite soon his trembling abated, the terrible iciness retreated from his body. She lay at his left side, and he pressed himself against her like a new-born lamb against a ewe: he nestled into her warmth as if he were a little babe.
As if this warmth were the one truly godly experience of his entire life.
She could feel how shrivelled he was: his knees and pelvic bones and elbows cut into her flesh as if they were deer antlers. She lifted his head carefullly on to her arm, and she felt his breath on the lobe of her ear.
And for the first time in a very long while she heard his voice.
‘Bathsheba,’ he said.
‘Yes,’ she replied, very gently and carefully in order not to frighten him.
‘Holiness no longer helps me,’ he said, panting for breath.
‘Has it ever helped you?’ she asked.
‘I do not know,’ he said. And then, after a pause, ‘What is holy?’
‘The incomprehensible and the uncertain are all that is holy,’ she said.
Then he asked – and he asked as if he had perhaps been mistaken all his life – ‘How is uncertainty holy?’
‘By the very fact that we know it exists,’ she replied, ‘and that we recognize that it is incomprehensible and uncertain.’
‘I have always sought holiness in the Lord,’ he said.
‘Yes,’ she said. ‘And sometimes you have found it.’
Then he lay silent for a long time. He let himself be permeated by the imcomprehensible warmth which she radiated.
But finally he asked – and his voice had become such a low whisper that she could catch his words only with difficulty – he asked, as if groping for words and almost fearful that she would not have any answer: ‘What is the nature of the Lord?’
And she answered at once from within her warmth and certainty, ‘He is like me. He is exactly like me.’
She felt him relax in her arms: his legs and joints seemed to soften and his breathing became clam as if he were about to fall asleep.
But then she heard him quietly, almost inaudibly, repeating her words to himself, as if he were trying to interpret their mystery and to understand fully their unfathomable significance.
‘He is like you,’ he said. ‘Yes, He is just like you.’
And there was a distinct note of bliss in his almost soundless whisper.
Then they lay in silence together. She heard his breathing becoming weaker and slower. He sucked on a lock of her hair which she raised to his mouth with her right hand; from time to time his lips made a feeble supping sound like a sleepy babe at the breast.
But then, long after she thought him to be sleeping, when in fact she was already sure that he had fallen asleep for ever, he spoke, loud and clear, and she could feel the vibration of his throat against the skin of her shoulder, that tremor which she had so often seen and heard but never before felt: ‘You are perfection, Bathsheba. Your perfection is your greatest flaw.’
That was King David’s final utterance.”
--------------------------------------------------------------------
From swedish writer Torgny Lindgren’s novel, Bathsheba.
Translated by Tom Geddes
Collins Harvill, London, 1989
From Death of a Ladies' Man thread >>>
Re: One Of Us Cannot Be Wrong
Posted: Thu Dec 07, 2006 5:44 am
by DBCohen
Sorry for taking a step back to an earlier posting:
lazariuk wrote:
In the jewish tradition the golden rule had it's origin when a rabbi named Hillel was asked by a non-jew to teach him the sum total of the Torah (The Law) while standing on one leg. Hillel replied "What is hateful to you do not do to your neighbour" or as it is usually expressed "Love your neighbour as yourself"
In the Christian tradition the golden rule had it origin when Jesus said that all of the Torah can be filled by observing two commandments. The first is to love God with all of your heart, with all of your soul, with all of your mind and with all of your might and He said that the second was like unto the first (maybe implying that they were in ways the same) that you should love your neighbour as yourself.
Well, first of all, Hillel’s was not the first step, but the second. The first is in the Old Testament verse, usually translated as “love your neighbor as yourself”, which is from Leviticus 19:18.
Hillel and Jesus were more or less contemporaries. Jesus seems to have adopted the verse literally, and required everyone to love their neighbors. Hillel was more realistic; he did not ask that you would love your neighbor, which is probably beyond us in most cases, but only that you refrain from doing harm to him in any way, that you will be considerate of other people, respect their rights as you wish that your own rights will be respected. This is one of many examples for how Judaism and Christianity view thing quite differently while using the same sources.
The above discussion yielded many interesting points, but personally I still regard One Of Us Cannot Be Wrong as a love song. I think it is related to other songs from the same period, Master Song on the one hand, Winter Lady, Lady Midnight and Avalanche, all with scenes of chill and storms, on the other hand, and hence also the Eskimo in this song. I apologize for not elaborating further now. Perhaps another time.
Re: One Of Us Cannot Be Wrong
Posted: Thu Dec 07, 2006 6:37 am
by lazariuk
DBCohen wrote:
Hillel and Jesus were more or less contemporaries. Jesus seems to have adopted the verse literally, and required everyone to love their neighbors. Hillel was more realistic;
.
I don't feel it within my capability to make such comparisons other than to observe that they each found a way to demonstrate what they were experiencing to be realistic.
Jack