Have you heard Dear Heather?
very poetic. I'm really getting to like this place I think I'll stay.
I got to school and wished I had brought Dear Heather with me. I felt so sad. I put it on when I got home (feeling better now). I'm really getting hooked. is it possable to get to obssesed? if it is I suppose that happen a long time ago.
I got to school and wished I had brought Dear Heather with me. I felt so sad. I put it on when I got home (feeling better now). I'm really getting hooked. is it possable to get to obssesed? if it is I suppose that happen a long time ago.
Yes, I know that feeling, Don
~ it's the same one I had when I thought I'd left Dear Heather at home, and then realized
that I hadn't. Now, I just leave it in the computer at work; it's the copy I made for that purpose. I want to preserve my original [which has a skip now in the first or second song
]. I bought an extra copy, anyway, but had intended to give it away. If I do, I'll buy another original at that time.
Yes, please stay. It's great here
. [Thanks, too, for your compliment.]
.
~ Lizzy



Yes, please stay. It's great here

Impossible"is it possable to get to obssesed?"

~ Lizzy
CDs with skips should be examined for fingerprints or smudges which can be removed easily with a few drops of rubbing alcohol and a soft cloth applied from center to edge, not in a circular fashion for some reason. Radio Shack has a filler for scratches but it doesn't always work. Hope you can save Dear Heather and your hard -earned money. 

I bought Dear Heather last Friday night (along with Willie Nelson's new album 'It Will Always Be') and then drove 3 hours to New Joisey next morning rotating the two.
The first notes of Go no more a-roving was a pretty bad start (what was he thinking turning a classical poem into that)and it got worse with Because Of. But after the rough start things picked up and I liked very much the rest of the CD in terms of melody, rhythm and lyric. I usually pay attention to rhythm and melody and let the words sort of weave their way into my consciousness slowly over time.
As in every album he turns up some brilliant songs and this was no different....for me The Letters, Nightingale, The Faith and Undertow are exceptional by any standard. On That Day reminded me of a few of Springsteen's songs from 'The Rising' - especially Lonesome Day in terms of lyric if not sound (well the Springsteen sound is not s'posed to be like the Cohen sound, else the world has gone completely mad). I think the main thrust of On That Day is that you can dispute this policy and that policy, this or that ideology but ultimately when push comes to shove, when you are in dire mortal danger you have to stick to and depend upon people you may disagree with. I also liked There For You and Villanelle for our Time and To a Teacher although I don't know how long the spoken-word stuff will hold up.
I have no particular problem with the techno-music but I think the production leaves much to be desired. I agree with the NY magazine reviewer - given the remains of his voice, LC should definitely pull a Johnny Cash and do a stark album with himself and guitar. And if he's gonna have all that accompanying techno stuff then some professional production is essential.
I'm driving again to NJ this weekend so will have more time to hear it in my car (the best place to hear music). And, in a perverse sort of way, I can't get the tune of Go No More a Roving out of my head.
p.s. If there are any Willie Nelson fans out there, I just realized he looks a hell of a lot like Yasser Arafat.
The first notes of Go no more a-roving was a pretty bad start (what was he thinking turning a classical poem into that)and it got worse with Because Of. But after the rough start things picked up and I liked very much the rest of the CD in terms of melody, rhythm and lyric. I usually pay attention to rhythm and melody and let the words sort of weave their way into my consciousness slowly over time.
As in every album he turns up some brilliant songs and this was no different....for me The Letters, Nightingale, The Faith and Undertow are exceptional by any standard. On That Day reminded me of a few of Springsteen's songs from 'The Rising' - especially Lonesome Day in terms of lyric if not sound (well the Springsteen sound is not s'posed to be like the Cohen sound, else the world has gone completely mad). I think the main thrust of On That Day is that you can dispute this policy and that policy, this or that ideology but ultimately when push comes to shove, when you are in dire mortal danger you have to stick to and depend upon people you may disagree with. I also liked There For You and Villanelle for our Time and To a Teacher although I don't know how long the spoken-word stuff will hold up.
I have no particular problem with the techno-music but I think the production leaves much to be desired. I agree with the NY magazine reviewer - given the remains of his voice, LC should definitely pull a Johnny Cash and do a stark album with himself and guitar. And if he's gonna have all that accompanying techno stuff then some professional production is essential.
I'm driving again to NJ this weekend so will have more time to hear it in my car (the best place to hear music). And, in a perverse sort of way, I can't get the tune of Go No More a Roving out of my head.
p.s. If there are any Willie Nelson fans out there, I just realized he looks a hell of a lot like Yasser Arafat.
Last edited by Kush on Fri Nov 05, 2004 1:48 am, edited 2 times in total.